Robert F. Logan
Robert was born in Lauder Manitoba, Canada. Receiving his first art education in Winnipeg, Canada. He enrolled at the age of sixteen at The Boston Museum of Fine Arts. Studying painting under Philip Leslie Hale and Edmund Tarbell and etching under Frank Benson. He went on to complete his education at the Chicago Art Institute. Logan was an officer in the American navy and journeyed to France during the First World War. During the war he was a student and instructor at the Art Training Center at the Pavillon de Bellevue, Bellevue, France. After the war he accepted the position of director of the Bellevue Art Training Center. He also taught art classes at the Louvre. Logan lived in France for almost 20 years returning stateside with his wife and daughter in 1934. He was hired by Connecticut College as the Chairman of their Art Department and also as an instructor. He also worked as curator at the Lyman Allyn Museum in New London, Connecticut. Retiring from Connecticut College in 1954. Moving with his family to Boston, Mass where he headed the Art Department at Newton College of the Sacred Heart.
During his life in France he created over one hundred architectural etchings. His first solo show was at the American Chamber of Commerce in Paris in 1922. There after having annual exhibitions at the Galerie Marcel Guiot.
His work was widely exhibited in museums and galleries in Europe and the United States. His works are in the collections of the Boston Museum of Fine Arts; the Brooklyn Museum; the Art Institute of Chicago; the British Museum, London; the Lyman Allyn Museum, New London; the Museum of Modern Art and the New York Public Library, New York; the Luxembourg Museum and Bibliotheque Nationale de France, Paris; the library of Congress and the National Gallery of Art, Washington, D.C., the Winnipeg Art Gallery; the Museum of Luxembourg; the Metropolitan Museum and the Smithsonian Art Museum, and Yale Art Gallery.
Mr. Logan was a member of the American Society of Graphic Arts, the Salon Nationale des Beaux Arts, Paris, Societe de la Gravure, Originale en Noir, the Chicago Society of Etchers, Boston Print Makers, etc, and was a founder and member of the Standing Committee on Artist’s Oil Paints, Bureau of Standards, Department of Commerce, Washington, D.C.
Designs
Dining Plate Designs
are Ink over Pencil Drawings
At the Boston School Of Fine Arts Robert became fast friends with Talbot and Eleanor Aldrich who lived in Boston and had a summer cottage on the back shore of Tenants Harbor, Maine. The Aldrich’s introduced my grandparents to Tenants Harbor where they purchased a summer home in 1945. Robert converted the attached barn into his studio, replacing the north wall with mostly glass. Maine at the time was considered to be the Lobster Capital of the world, probably prompting the lobster plate design.
Designs
DINNERWARE
Robert Fulton Logan, or Fult as he was called by family and friends, was a bird enthusiast.
As a boy Fult encountered a snowy owl in distress. He brought the owl home and nursed it
back to health and then released it.The owl returned to their farm for winters thereafter.
Robert Fulton Logan, or Fult as he was called by family and friends, was a bird enthusiast. As a boy Fult encountered a snowy owl in distress. He brought the owl home and nursed it back to health and then released it.The owl returned to their farm for winters thereafter.
Designs
Commissions
In 1956 Robert was commissioned to design a dining plate for the inaugural run of the New York Central Aerotrain locomotive. I am not sure if the other dining plate train designs came before or after that commission.